介绍:Anders weathered a rough childhood and young adult life which not only encouraged an escapist penchant for making up characters but also an insiders sympathy for the strong but put-upon women who people her films. Growing up in rural Kentucky, Anders would always remember hanging onto her fathers leg at age five as he abandoned her family. Traveling frequently with her mother and sisters, Anders would later be raped at age 12, endure abuse from a stepfather who once threatened her with a gun, and suffer a mental breakdown at age 15. Venturing back to Kentucky from Los Angeles at 17, she would soon move to London to live with the man who would father her first child. Upon her return to the US, Anders finally began to pick up the pieces of her life. She enrolled in junior college and later the UCLA film school and managed when a second daughter came along. Enchanted with _Wim Wenders_ films, she so deluged the filmmaker with correspondence that he gave her a job as a production assistant on his film Paris, Texas (1984). After graduating from UCLA, Anders made her feature writing and directing debut, Border Radio (1987), a study of the LA punk scene, in collaboration with two former classmates. Her first solo effort, Gas, Food Lodging (1992), telling of a single mother and her two teenage daughters, and her followup, Mi vida loca (1993), looking at girl gangs in the Echo Park neighborhood of LA where Anders settled, have shown her to be a deeply personal filmmaker who has used her own experience to make grittily realistic, well-observed, gently ambling studies of women coming of age amid tough, sterile social conditions.
阿利森·安德斯有非常不幸的童年经历,她12岁时被轮奸,常遭酗酒的继父毒打。阿利森二十四五岁时进入加州洛杉矶分校电影学院学习。
在大学里,她被威姆·文德斯的电影吸引,给这位导演写了无数信件,最后在《德州巴黎》一片中得到制作助理的工作,从电影学院毕业后,阿利森与克特·福斯共同创作和导演了《边境收音机》,之后她独立编剧、导演完成了《公路休息站》。她后来的作品包括《芳心之歌》、《我的疯狂生活》和《四个房间》等。最近的一部电影作品是1999年的《糖镇》。此后一直在拍摄电视剧。
2002
LosAngelesSilverLakeFilmFestivalSpiritofSilverLakeAward
2000
Fantasporto最佳剧本糖镇(1999)
1996
ValladolidInternationalFilmFestivalGoldenSpike(提名)芳心之歌(1996)
1993
独立精神奖最佳导演(提名)旅客(1992)
独立精神奖最佳剧本(提名)旅客(1992)
1992
柏林国际电影节金熊奖(提名)旅客(1992)
SundanceFilmFestivalDramatic(提名)旅客(1992)
NewYorkFilmCriticsCircleAwardsBestNewDirector旅客(1992)
DeauvilleFilmFestivalCriticsAward旅客(1992)
1989
独立精神奖BestFirstFeature(提名)边境收音机(1999)