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安吉拉·卡特

    安吉拉·卡特

  • 英国
  • 别名:Angela Olive Stalker
  • 外文名:
  • 身高:0cm
  • 星座:金牛座
  • 人气:0°
  • 介绍:Born Angela Olive Stalker in Eastbourne, in 1940, Carter was evacuated as a child to live in Yorkshire with her maternal grandmother. As a teenager she battled anorexia. After attending Streatham & Clapham High School, in south London, she began work as a journalist on the Croydon Advertiser, following in the footsteps of her father. Carter attended the University of Bristol where she studied English literature.
    She married twice, first in 1960 to Paul Carter. They separated in 1970. In 1969 Angela Carter used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, Japan, where she claims in Nothing Sacred (1982) that she "learnt what it is to be a woman and became radicalised." She wrote about her experiences there in articles for New Society and a collection of short stories, Fireworks: Nine Profane Pieces (1974), and evidence of her experiences in Japan can also be seen in The Infernal Desire Machines of Doctor Hoffman (1972). She then explored the United States, Asia and Europe, helped by her fluency in French and German. She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia. In 1977 Carter married Mark Pearce, with whom she had one son. In 1979 both The Bloody Chamber , and her influential essay The Sadeian Woman and the Ideology of Pornography appeared. In the essay, according to the writer Marina Warner, Carter "deconstructs the arguments that underly The Bloody Chamber. Its about desire and its destruction, the self-immolation of women, how women collude and connive with their condition of enslavement. She was much more independent-minded than the traditonal feminist of her time. "
    As well as being a prolific writer of fiction, Carter contributed many articles to The Guardian, The Independent and New Statesman, collected in Shaking a Leg. She adapted a number of her short stories for radio and wrote two original radio dramas on Richard Dadd and Ronald Firbank. Two of her fictions have been adapted for the silver screen: The Company of Wolves (1984) and The Magic Toyshop (1987). She was actively involved in both film adaptations, her screenplays are published in the collected dramatic writings, The Curious Room, together with her radio scripts, a libretto for an opera of Virginia Woolfs Orlando, an unproduced screenplay entitled The Christchurch Murders (based on the same true story as Peter Jacksons Heavenly Creatures) and other works. These neglected works, as well as her controversial television documentary, The Holy Family Album, are discussed in Charlotte Crofts book, Anagrams of Desire (2003). Her novel Nights at the Circus won the 1984 James Tait Black Memorial Prize for literature.
    At the time of her death, Carter had started work on a sequel to Charlotte Bront?s Jane Eyre based on the later life of Janes stepdaughter, Adèle Varens; only a synopsis survives.
    Angela Carter died aged 51 in 1992 at her home in London after developing lung cancer.



详细资料

  • Born Angela Olive Stalker in Eastbourne, in 1940, Carter was evacuated as a child to live in Yorkshire with her maternal grandmother. As a teenager she battled anorexia. After attending Streatham & Clapham High School, in south London, she began work as a journalist on the Croydon Advertiser, following in the footsteps of her father. Carter attended the University of Bristol where she studied English literature.
    She married twice, first in 1960 to Paul Carter. They separated in 1970. In 1969 Angela Carter used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, Japan, where she claims in Nothing Sacred (1982) that she "learnt what it is to be a woman and became radicalised." She wrote about her experiences there in articles for New Society and a collection of short stories, Fireworks: Nine Profane Pieces (1974), and evidence of her experiences in Japan can also be seen in The Infernal Desire Machines of Doctor Hoffman (1972). She then explored the United States, Asia and Europe, helped by her fluency in French and German. She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia. In 1977 Carter married Mark Pearce, with whom she had one son. In 1979 both The Bloody Chamber , and her influential essay The Sadeian Woman and the Ideology of Pornography appeared. In the essay, according to the writer Marina Warner, Carter "deconstructs the arguments that underly The Bloody Chamber. Its about desire and its destruction, the self-immolation of women, how women collude and connive with their condition of enslavement. She was much more independent-minded than the traditonal feminist of her time. "
    As well as being a prolific writer of fiction, Carter contributed many articles to The Guardian, The Independent and New Statesman, collected in Shaking a Leg. She adapted a number of her short stories for radio and wrote two original radio dramas on Richard Dadd and Ronald Firbank. Two of her fictions have been adapted for the silver screen: The Company of Wolves (1984) and The Magic Toyshop (1987). She was actively involved in both film adaptations, her screenplays are published in the collected dramatic writings, The Curious Room, together with her radio scripts, a libretto for an opera of Virginia Woolfs Orlando, an unproduced screenplay entitled The Christchurch Murders (based on the same true story as Peter Jacksons Heavenly Creatures) and other works. These neglected works, as well as her controversial television documentary, The Holy Family Album, are discussed in Charlotte Crofts book, Anagrams of Desire (2003). Her novel Nights at the Circus won the 1984 James Tait Black Memorial Prize for literature.
    At the time of her death, Carter had started work on a sequel to Charlotte Bront?s Jane Eyre based on the later life of Janes stepdaughter, Adèle Varens; only a synopsis survives.
    Angela Carter died aged 51 in 1992 at her home in London after developing lung cancer.



个人经历

安吉拉?卡特

安吉拉?卡特于1940年在英国伊斯特本(Eastbourne)出生。二十岁结婚,在克罗伊登广告(CroydonAdvertise)工作,并在布里斯托尔(Bristol)大学英国文学系进修。1969年离婚,迁居日本两年。

1976至1978年,她成为大不列颠艺术协会研究员,在雪菲尔大学开设写作课程,1980至1981年则是布朗大学写作设计的客座教授,并曾在美国及澳洲四处旅行、教学,但定居伦敦,于东安格里亚大学(UniversityofEastAnglia)任教,作家石黑一雄当时受教于她。 

个人作品

作品集

1965《影舞》

1967《魔幻玩具铺》(获约翰?勒维林?里斯奖)

1968《数种知觉》(获桑姆塞?毛姆奖)

1970《英雄与恶徒》

1971《爱》

1972《霍夫曼博士的地狱欲望机器》

1977《新夏娃的激情》

1984《马戏团之夜》

1991《明智的孩子》

短篇小说集

《焚舟纪》是英国著名女作家安吉拉·卡特的短篇小说全集,一套共五本四十二个短篇。五个集子依次是《烟火》、《染血之室》、《黑色维纳斯》、《美国鬼魂与旧世界奇观》和《别册》。这些短篇多以童话、民间故事、文学经典为蓝本,文学女巫卡特以奇绝想象力和非凡叙事技巧将之加以戏仿、混酿、改装和重塑,并以通透戏谑的视角呈现出童话背后的冷僻真相,传奇之中的幽暗细节,为幻想世界打上现实投影,极具颠覆性却又不损奇幻之美,慑人之余又令人迷醉,形成融魔幻现实主义、女性主义、哥特风格和寓言色彩为一体的独特写作模式。 

国内出版情况

焚舟纪

《明智的孩子》

《新夏娃的激情》

《爱》

《焚舟纪》

《安吉拉·卡特的精怪故事集》

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