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决定给这部电影写个影评。
身为一个80后,我是一个香港老电影的深度爱好者。香港电影黄金年代林林总总不下千部的电影,打小从闭路电视和有线电视上,基本上都看过了。而这部新艺城出品的《追女仔》,是给我留下的印象最深的几部之一。
简单介绍一下电影的背景,81年,新艺城电影成立不久,需要一部作品打出市场。这部《追女仔(台译 泡妞)》,新艺城公司一改传统,进行了破纪录的宣发,一度
决定给这部电影写个影评。
身为一个80后,我是一个香港老电影的深度爱好者。香港电影黄金年代林林总总不下千部的电影,打小从闭路电视和有线电视上,基本上都看过了。而这部新艺城出品的《追女仔》,是给我留下的印象最深的几部之一。
简单介绍一下电影的背景,81年,新艺城电影成立不久,需要一部作品打出市场。这部《追女仔(台译 泡妞)》,新艺城公司一改传统,进行了破纪录的宣发,一度并不被人看好,但最终成为了81年度香港电影票房的殿军,拿下了950万的好成绩。仅略略低于当年的大制作——007最高机密,作为一部爱情轻喜剧,是很不容易的。
还有,这部《追女仔》,也是香港电影史上整个追女系列的开山之作。不过也许是电影实在太过古老的缘故,说到追女仔,大家更容易想起来的还是后来的王晶制作的《精装追女仔》系列。
王晶的《精装》系列电影十几年里好几部,最后一部是2004年拍的。演员虽然像周润发、刘德华、张曼玉等超级明星云集,但可惜的是,剧本粗制滥造,剧情神吹八扯,光怪陆离。就质量而言,远不及这部最早的新艺城《追女仔》。
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珍惜身边的每一个人,了解他们成长的不易,因为正是有了他们才有我们,要好好珍惜,一起陪伴成长。
照常在刷B站,找了很久,最终决定看一部名叫《未来的未来》的动漫。
这名字真奇怪,未来是指时间?可是怎么会是未来的未来?所以未来或许是个人名,它会讲未来这个人的未来吗?
珍惜身边的每一个人,了解他们成长的不易,因为正是有了他们才有我们,要好好珍惜,一起陪伴成长。
照常在刷B站,找了很久,最终决定看一部名叫《未来的未来》的动漫。
这名字真奇怪,未来是指时间?可是怎么会是未来的未来?所以未来或许是个人名,它会讲未来这个人的未来吗?
看完后,我倒觉得小君才是主人公,小君是未来的哥哥,是爸爸妈妈的孩子。
小君似乎一直在跟妹妹未来生气,未来是这个家的新成员,自从未来出生,小君的爸爸妈妈注意力一直在未来身上,就连外祖父和外祖母也是,一直在给未来拍照,小君三番四次也要,可都是非常敷衍。
小君就这样讨厌上自己的妹妹未来,明明第一次见面他很喜欢她。
小君很生气,这是他第一次见到奇幻的事情——王子出现。就像是一个契机,小君的世界从此在现实与奇幻中转变。
小君很快发现王子是悠子——小君家里的狗狗,悠子跟他说,小君是出于嫉妒,但是小君连嫉妒这两个字都还不认得。小君很“坏”,他去逗悠子,还把它的尾巴扯下来,放在自己的屁股上,小君也变成了小狗子,撒欢儿地跑,小君玩得很开心,笑声都传进了爸爸的耳朵里。
第二次是未来的未来出现,她这时已然是一个中学生模样,她来是因为要让爸爸把人偶收起来,人偶是一对夫妻,据说晚收一天,就会晚结婚一年,所以未来很着急,三人(包括暂时变成人的悠子)要瞒着爸爸开始作战,结果当然是好的。
小君还结识了小时候的妈妈,小时候的妈妈比小君还要闹心呢!跟小君两个人一起在家里翻天覆地,拆家了一样。还有曾外祖父,曾外祖父__bk:73cht带着小君骑马,骑摩托车,激励小君,让他最后学会骑自行车。
影片的每一个故事既搞笑,又温馨,但是每一个影片总有其特殊之处,猝不及然,才值得让人回味。
小君又一次闹脾气(小孩子总是很容易闹脾气),想要离家出走,好不容易未来的未来找到了他,要把他带回到他生活的时间里去。
小君跟着未来的未来来到了家族的“历史索引”,就是类似于图书的目录一样,在这里小君看到了倒在地上哭泣的爸爸,爸爸在练自行车,可是身体太弱了,直到小学还没有不会骑,他看到了自己的曾外祖父,船的残骸漂浮在水面上,曾外祖父在海中奋力游向海岸。
还有那个传闻,曾外祖父个曾外祖母赛跑赢了,所以曾外祖母就嫁给了曾外祖父,而事实是,曾外祖父当时腿脚不方便,刚开始曾外祖母很快就超过了他,后面她刻意停下来等他。
每一个人都付出了努力,不管你愿不愿意承认,而我们成为了一家人,正是他们的存在才有了我们。
要好好珍惜彼此啊。
我突然想要去了解家族的人的故事了,他们经历过了什么?我想他们了,但是现在晚了,明天再给他们打电话吧。
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So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an awesome day?” Which is pretty… shitty, because it puts the onus on me to disagree with her, like if I’m not having an “awesome day,” suddenly I’m the negative one. Usually when people ask how I’m doing, the real answer is I’m doing shitty, but I can’t say I’m doing shitty because I don’t even have a good reason to be doing shitty. So if I say, “I’m doing shitty,” then they say, “Why? What’s wrong?” And I have to be like, “I don’t know, all of it?” So instead, when people ask how I’m doing, I usually say, “I am doing so great.” But when this girl at the Jack in the Box asked me if I was having an awesome day, I thought, “Well, today I’m actually allowed to feel shitty.” Today I have a good reason, so I said to her, “Well, my mom died,” and she immediately burst into tears. So now I have to comfort her, which is annoying, and meanwhile, there’s a line of people forming behind me who are all giving me these real judgy looks because I made the Jack in the Box girl cry. And she’s bawling, and she’s saying, “I’m sorry, I’m so sorry,” and I’m like, “It’s fine. It’s fine.” I mean, it’s not fine but, you know, it’s… fine. And I would like to order a Double Jack Meal, and I’ve kinda got somewhere to be, so maybe less with the crying and more with the frying, huh? [inhales] And the girl apologizes again and she offers me a free churro with my meal. And as I’m leaving, I think, “I just got a free churro because my mom died.” No one ever tells you that when your mom dies, you get a free churro. [people murmuring] [clears throat] Anyway, I’m sorry, that’s not part of the… [clears throat] All right. Okay, here we go. Let’s do this. Here I am, BoJack Horseman, doing a eulogy, let’s go. Hey, piano man, can I get a, like an organ flourish? [organ plays] Nicely done. You know, I was a little worried I wouldn’t have the right accompaniment today. I guess it’s a good thing my mom was an organ donor! [rimshot plays] What happened to the organ? [horn ‘oogahs’] Okay, why just leave the comedy to the professionals? Okay? This is a funeral, sir, for my mother. Can you show a little respect? [trumpet whines] I’ll take it. Beatrice Horseman, who was she? What was her deal? Well, she was a horse. Uh, she was born in 1938. She died in 2018. One time, she went to a parade, and one time, she smoked an entire cigarette in one long inhale. I watched her do it. Truly a remarkable woman. [rustling] Lived a full life, that lady. Just, all the way to the end, which is, uh, now I guess. Really makes you think, though, huh? Life, right? Goes by, stuff happens. Then you die. Okay, well that’s my time, you’ve been great! Tip your waitress! No, I’m just kidding around, there’s no waitress. But seriously, that’s all I have to say about my mother. No point beating a dead horse, right? So… [inhales] Now what? I don’t know. Mom, you got any ideas? Anything? Mom? No? Nothing to contribute? Knock once if you’re proud of me. Can I just say how amazing it is to be in a room with my mother, and I can just talk and talk without her telling me to shut up and make her a drink? Hey, Mom, knock once if you think I should shut up. No? You sure? I mean, I don’t want to embarrass you by making this eulogy into a me-logy, so, seriously, if you wanted me to sit down and let someone else talk, just knock. I will not be offended. No? Your funeral. Sorry about the closed casket, by the way. She wanted an open casket, but uh, you know, she’s dead now, so who cares what she wanted? No, that sounds bad. I’m sorry. I-I think that if she could’ve seen what she looked like dead, she’d agree it’s better this way. She looked like this. [groaning] [mourners gasping] Kinda like a pissed-off toy dinosaur. The coroner couldn’t get her eyes closed, so now her face is forever frozen in a mask of tremendous horror and anguish. Or as my mom called it, Tuesday! Tuesday! My mom called it Tuesday. [woman coughs] Hey, Mom, what did you think of that joke? You like that? You never did care for my comedy. [clears throat] Here’s a story. When I was a teenager, I performed a comedy routine for my high school talent show. There was this, uh, cool jacket that I wanted to wear because I thought it would make me look like Albert Brooks. For months, I saved up for this jacket. But when I finally had enough, I went to the store and it was gone. They had just sold it to someone else. So, I went home and I told my mother, and she said, “Let that be a lesson. That’s the good that comes from wanting things.” She was really good at dispensing life lessons that always seemed to circle back to everything being my fault. But then, on the day of the talent show, my mother had a surprise for me. She had bought me the jacket. Even though she didn’t know how to say it, I know this meant that she loved me. Now that’s a good story about my mother. It’s not true, but it’s a good story, right? I stole it from an episode of Maude I saw when I was a kid, where she talks about her father. I remember when I saw it, thinking, “That’s the kind of story I want to tell about my parents when they die.” But I don’t have any stories like that. All I know about being good, I learned from TV. And in TV, flawed characters are constantly showing people they care with these surprising grand gestures. And I think that part of me still believes that’s what love is. But in real life, the big gesture isn’t enough. You need to be consistent, you need to be dependably good. You can’t just screw everything up and then take a boat out into the ocean to save your best friend, or solve a mystery, and fly to Kansas. You need to do it every day, which is so… hard. When you’re a kid, you convince yourself that maybe the grand gesture could be enough, that even though your parents aren’t what you need them to be over and over and over again, at any moment, they might surprise you with something… wonderful. I kept waiting for that, the proof that even though my mother was a hard woman, deep down, she loved me and cared about me and wanted me to know that I made her life a little bit brighter. Even now, I find myself waiting. Hey, Mom, knock once if you love me and care about me and want me to know I made your life a little bit brighter. [owl chirping] My mother did not go gentle into that good night. She went clawing and fighting and thrashing, hence the face. [groaning] [mourners gasping] If you’d seen her, I swear to God the only thing you’d be thinking about right now is that I am nailing this impression. [woman clears her throat] [chairs squeak] I was in the hospital with her those last moments, and they were truly horrifying, full of nonsencial screams and cries, but there was this moment, this one instant of strange calm, where she looked in my direction and said, “I see you.” That’s the last thing she said to me. “I see you.” Not a statement of judgment or disappointment, just acceptance and the simple recognition of another person in a room. “Hello there. You are a person. And I see you.” Let me tell you, it’s a weird thing to feel at 54 years old, that for the first time in your life your mother sees you. It’s an odd realization that that’s the thing you’ve been missing, the only thing you wanted all along, to be seen. And it doesn’t feel like a relief, to finally be seen. It feels mean, like, “Oh, it turns out that you knew what I wanted, and you waited until the very last moment to give it to me.” I was prepared for more cruelty. I was sure that she would get in one final zinger about how I let her down, and about how I was fat and stupid and too tall to be an effective Lindy-hopper. How I was needy and a burden and an embarrassment—all that I was ready for. I was not ready for “I see you.” Only my mother would be lousy enough to swipe me with a moment of connection on her way out. But maybe I’m giving her too much credit. Maybe it wasn’t about connection. Maybe it was a… maybe it was an “I see you,” like, uh, “I see you.” Like, “You might have the rest of the world fooled, but I know exactly who you are.” That’s more my mom’s speed. Or maybe she just literally meant “I see you. You are an object that has entered my field of vision.” She was pretty out of it at the end, so maybe it’s dumb to try to attribute it to anything. [woman sighs] Back in the 90s, I was in a very famous TV show called Horsin’ Around. [man coughs] Please hold your applause. And I remember one time, a fan asked me, “Hey, um, you know that episode where the horse has to give Ethan a pep talk after Ethan finds out his crush only asked him to the dance because her friends were having a dorkiest date contest? In all the shots of the horse, you can see a paper coffee cup on the kitchen counter, but in the shots of Ethan, the coffee cup’s missing. Was that because the show was making a statement about the fluctuant subjectivity of memory and how even two people can experience the same moment in entirely different ways?” And I didn’t have the heart to be, like, “No, man, some crew guy just left their coffee cup in the shot.” So instead, I was, like… “Yeah.” And maybe this is like that coffee cup. Maybe we’re dumb to try to pin significance onto every little thing. Maybe when someone says, “I see you,” it just means, “I see you.” Then again, it’s possible she wasn’t even talking to me because, if I’m being honest, she wasn’t really looking at me. She was looking just past me. There was nobody else in the room, so I want to think she was talking to me, but, honestly, she was so far gone at that point, who knows what she was seeing? Who were you talking to, Mom? [sighs] Not saying, huh? Staying mum? No rimshot there? God, whatever I’m paying you, it’s too much. Maybe she saw my dad. My dad died about ten years ago of injuries he sustained during a duel. When your father dies, you ask yourself a lot of questions. Questions like, “Wait, did you say he died in a duel?” and “Who dies in a duel?” The whole thing was so stupid. Dad spent his entire life writing this book, but he couldn’t get any stores to carry it or any newspapers to review it. Finally, I guess this one newspaper thought he was pretty hilarious, because they ran a review and tore him to shreds. So my father, ever the proud Mary, decided he would not stand for this besmirchment of his honor. He claimed the critic didn’t understand what it meant to be a man, so he demanded satisfaction in the form of pistols at dawn. He wrote the paper this letter, saying anyone who didn’t like his book, he would challenge to a duel, anyone in the world. He’d even pay for airfare to San Francisco and a night in a hotel. Well, eventually this found its way to some kook in Montana, who was as batshit as he was and took him up on the offer. They met at Golden Gate Park and agreed: ten paces, then shoot. But in the middle of the ten paces, Dad turned to ask the guy if he’d actually read the book and what he thought, but, not looking where he was going, tripped over an exposed root and bashed his head on a rock. [murmur] I wish I’d known to go to Jack in the Box then. Maybe I could have gotten a free churro. It would’ve been nice to have something to show for being the son of Butterscotch Horseman. My darling mother gave the eulogy. My entire life I never heard her say a kind word to or about my father, but at his funeral she said, “My husband is dead, and everything is worse now.” “My husband is dead, and everything is worse now.” I don’t know why she said that. Maybe she felt like that’s the kind of thing you’re supposed to say at a funeral. Maybe she hoped one day someone would say that about her. “My mother is dead, and everything is worse now.” Or maybe she knew that he had frittered away all her inheritance, and replaced it with crippling debt, which is a pretty shitty thing to leave your widow with. “Bad news, you lost a husband, but don’t worry, you also lost the house!” Maybe Mom knew she’d have to sell all her fancy jewelry and move into a home. Maybe that’s what she meant by “everything is worse now.” Is that what you meant, Mom? I gotta say, I’m really carrying this double act. At least with Penn and Teller, the quiet one does card tricks. Hey, piano man, when I say something funny to my mom, how about you give me one of those rimshots? [rimshot plays] Yeah, but not now. When I say something funny. Like, okay. What’s the difference between my mother and a disruptive expulsion of germs? One’s a coughin’ fit and the other fits a coffin! That’s an example of a funny thing. [rimshot plays] Thank you. Let’s try again. Hey, Mom. What’s the difference between my mother and a bunch of Easter eggs? One gets carried in a basket, the other gets buried in a casket! [rimshot plays] Ready for one more? Last one. What’s the difference between a first-year lit major and my mother, Beatrice Horseman? One is decently read, and the other’s a huge bitch! [woman gasps] [murmurs] Yeah, might have gone a little too far with that one. That one might’ve been a little too “my mom’s a huge bitch” for the room. I’m sorry, Mother. You’re not a huge bitch. You were a huge bitch… and now you’re dead. [woman sighs] You know, the first time I ever performed in front of an audience, it actually was, uh, with my mom. She used to put on these shows with her supper club in the living room and she used to make… [inhales] She used to make me sing “The Lollipop Song.” [organ playing tune] Those parties, they were really something. There were skits and magic acts, and ethnically insensitive vaudeville routines, and the big finale was always a dance my mother did. She had this beautiful dress that she only brought out for these parties, and she did this incredible number. It was so beautiful and sad. Dad hated the parties. He’d lock himself in the study, and bang on the walls for us to keep it down, but he always came out to see Mom dance. He’d linger in the doorway, scotch in hand, and watch in awe, as this cynical, despicable woman he married… took flight. And as a child who was completely terrified of both my parents, I was always aware that this moment of grace, it meant something. We understood each other in a way. Me and my mom and my dad, as screwed up as we all were, we did understand each other. My mother, she knew what it’s like to feel your entire life like you’re drowning, with the exception of these moments, these very rare, brief instances, in which you suddenly remember… you can swim. [flashback] [partygoers laughing] [classical music playing] But then again, mostly not. Mostly you’re drowning. She understood that, too. And she recognized that I understood it. And Dad. All three of us were drowning, and we didn’t know how to save each other, but there was an understanding that we were all drowning together. And I would like to think that that’s what she meant when we were in the hospital and she said, “I see you.” You know, the weird thing about both your parents being dead is it means that you’re next. I mean, you know, obviously it’s not like there’s a waitlist for dying. Any one of us could get run over by a Snapchatting teen at any moment. And you would think that knowing that would make us more adventurous, and kind, and forgiving. But it makes us small, and stupid, and petty. I actually had a near-death experience recently. A stunt went bad and I fell off a building. I’m an actor, I do my own stunts. I’m on this new show Philbert. I’m Philbert. Star of the show. It hasn’t come out yet, but it’s already getting Emmy buzz. Oh, speaking of buzz… [inhales] I’m supposed to take two of these every morning, but my days are so screwed up ‘cause of the shooting schedule, I don’t even know what morning means anymore. There’s a joke in there somewhere, about a guy who’s been to so many funerals, he doesn’t even know what mourning means anymore. Let you guys figure that one out for yourselves. [gulps] Anyway, you know what I thought, when I was falling off the building and I went into panic mode? The last thing that my stupid brain could come up with before I died? “Won’t they be sorry.” Cool thought, brain. [rimshot plays] No, that wasn’t… would you just… dial it back, all right? I don’t even know what “they” I wanted to be sorry. My mom, even before she died, could barely remember who I was. And of course, my dad’s dead. The last conversation I ever had with him was about his novel. He was so certain this book was his legacy. Maybe he thought it would vindicate him for all the shitty things he ever did in his stupid worthless life. Maybe it did, I don’t know. I never read it, because why would I give him that? I used to be on this TV show called Horsin’ Around. Seriously, though, hold your applause. [man coughs] Well held. It was written by my friend Herb Kazzaz, who’s also dead now, and it starred this little girl named Sarah Lynn. And it was about these orphans. And early on, the network had a note, “Maybe don’t mention they’re orphans so much, because audiences tend to find orphans sad and not relatable.” But I never thought that the orphans were sad. I-I always thought they were lucky, because they could imagine their parents to be anything they wanted. They had something to long for. Anyway, we did this one season finale, where Olivia’s birth mother comes to town. And she was a junkie, but she’s gotten herself cleaned up, and she wants to be in Olivia’s life again. And of course, she’s like a perfect grown-up version of Olivia, and they go to the mall together and get her ears pierced like she’s always wanted and—sorry, spoiler alert for the season six finale of Horsin’ Around, if you’re still working your way through it. Anyway, the horse tries to warn her, “Be careful, moms have a way of letting you down.” But Olivia just thinks the horse is jealous, and when the mom says she’s moving to California, Olivia decides to go with her. And the network really juiced the cliffhanger: “Is Olivia gone for good?” But of course, because it’s a TV show, she was not gone for good. Of course, because it’s a TV show, Olivia’s mother had a relapse and had to go back to rehab, so Olivia had to hitchhike all the way home, getting rides from Mr. T, Alf, and the cast of Stomp. Of course, that’s what happened. Because, what are you gonna do, just not have Olivia on the show? You can’t have happy endings in sitcoms, not really, because, if everyone’s happy, the show would be over, and above all else, the show… has to keep going. There’s always more show. And you can call Horsin’ Around dumb, or bad, or unrealistic, but there is nothing more realistic than that. You never get a happy ending, ‘cause there’s always more show. I guess until there isn’t. [chuckles] My mom would hate it if she knew that I spent so much time at her funeral talking about my old TV show. Or maybe she’d think it was funny that her idiot son couldn’t even do this right. Who knows? She left no instructions for what she wanted me to say. All I know is she wanted an open casket, and her idiot son couldn’t even do that right. I’m not gonna stand up here and pretend I ever understood how to please that woman, even though so much of my life has been wasted in vain attempts to figure it out. But I keep going back to that moment in the ICU when she looked at me, and… “I-C-U.” “I… see… you.” Jesus Christ, we were in the intensive care unit. She was just reading a sign. My mom died and all I got was this free churro. You know the shittiest thing about all of this? Is when that stranger behind the counter gave me that free churro, that small act of kindness showed more compassion than my mother gave me her entire goddamn life. Like, how hard is it to do something nice for a person? This woman at the Jack in the Box didn’t even know me. I’m your son! All I had was you! [inhales] I have this friend. And right around when I first met her, her dad died, and I actually went with her to the funeral. And months later, she told me that she didn’t understand why she was still upset, because she never even liked her father. It made sense to me, because I went through the same thing when my dad died. And I’m going through the same thing now. You know what it’s like? It’s like that show Becker, you know, with Ted Danson? I watched the entire run of that show, hoping that it would get better, and it never did. It had all the right pieces, but it just—it couldn’t put them together. And when it got canceled, I was really bummed out, not because I liked the show, but because I knew it could be so much better, and now it never would be. And that’s what losing a parent is like. It’s like Becker. Suddenly, you realize you’ll never have the good relationship you wanted, and as long as they were alive, even though you’d never admit it, part of you, the stupidest goddamn part of you, was still holding on to that chance. And you didn’t even realize it until that chance went away. My mother is dead, and everything is worse now, because now I know I will never have a mother who looks at me from across a room and says, “BoJack Horseman, I see you.” But I guess it’s good to know. It’s good to know that there is nobody looking out for me, that there never was, and there never will be. No, it’s good to know that I am the only one that I can depend on. And I know that now and it’s good. It’s good that I know that. So… it’s good my mother is dead. [gulps, sighs] Well. No point beating a dead horse. Beatrice Horseman was born in 1938, and she died in 2018, and I have no idea… what she wanted. Unless she just wanted what we all want… to be seen. Is this Funeral Parlor B? —— from Reddit
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今天也是为别人绝美爱情落泪的一天。颜颜笑起来太甜太可爱了 剧情什么的已经不重要了 给我锁死 他俩在别人婚礼上转圈亲亲的那个场面跟书桓和依萍真是异曲同工 没有颜值这剧我都骂街 温孤千年上仙没有心怀天下居然为了爱情黑化 还期待全城百姓陪葬? 就这 恋爱脑? 他这些年敢情装的? 自己龙族后裔怕端木知道还整这些没用的
今天也是为别人绝美爱情落泪的一天。颜颜笑起来太甜太可爱了 剧情什么的已经不重要了 给我锁死 他俩在别人婚礼上转圈亲亲的那个场面跟书桓和依萍真是异曲同工 没有颜值这剧我都骂街 温孤千年上仙没有心怀天下居然为了爱情黑化 还期待全城百姓陪葬? 就这 恋爱脑? 他这些年敢情装的? 自己龙族后裔怕端木知道还整这些没用的
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一开始看这部电视剧是因为贾乃亮和邓超,以为剧情会是他们两人之间的竞争,觉得这应该会是一部好剧。后来才发现原来邓超只是个客串,分手大师另有其人。
这部电视剧是我感觉最茫然的,不知道应该喜欢谁的一部。其实一开始我一直是站在复合大师这边的,觉得分手大师有点无理取闹,老是破坏他们办案,处处与他们作对,甚至有些讨厌。但是后来慢慢的理解她了,觉得她的想法有道理,跟男主在一起也挺好的,
一开始看这部电视剧是因为贾乃亮和邓超,以为剧情会是他们两人之间的竞争,觉得这应该会是一部好剧。后来才发现原来邓超只是个客串,分手大师另有其人。
这部电视剧是我感觉最茫然的,不知道应该喜欢谁的一部。其实一开始我一直是站在复合大师这边的,觉得分手大师有点无理取闹,老是破坏他们办案,处处与他们作对,甚至有些讨厌。但是后来慢慢的理解她了,觉得她的想法有道理,跟男主在一起也挺好的,希望他们能够复合,虽然知道他们最后不可能在一起。
第一起案件我没怎么看懂,还没进入角色,只知道他们最后和好了。每次分手大师出来时我都好生气,觉得又泡汤了,还好最后成功了,我也很高兴。
第二起案件剧情就更纠结了,我一直觉得林悠扬这个人有问题,总感觉他怪怪的,而且有点讨厌他的女朋友,并不看好他们俩,不过我更讨厌他的姐姐,当她被气时,我心里可舒服了。但是后来还是被他们感动了,经历几次波折他们终于能在一起了。这次分手大师居然还帮助了复合大师,他们之间的关系也变好了。这起案件也让我颇为感动,哭了好多次。
第三案件是我万万没想到的,这次居然是分手大师赢了!也是从这起案件开始,我不在向着复合大师了,不是每一段爱情都是好的,都能开花结果,不合适的也不能勉强在一起。而且我对女主的看法也有很大转变,一开始还挺喜欢她的,也支持她追男主,但是后来不知怎么的,越来越讨厌她,不希望她跟男主在一起,这还是我第一次不喜欢女主。我也不知道这是怎么回事,好像很多人也不喜欢她吧。
电视看到这里,我一直在想一个问题,到底是帮人分手容易还是复合容易?之前我可能会理所当然的认为是复合更容易,因为分手是非常痛苦的一件事。但是现在我又有了新的想法,最终我还是没能想出一个好的答案来。但是我还是更多的希望有情人能够终成眷属,少一点分离,少一点痛苦,这样才是是最好的!
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谷物,是人类饮食的基础。
它是迄今运用最广泛、影响人口最多的一种食物,而我们生活的地球就是一个谷物遍布的星球。
最近,一部国产新片以此为题,为我们呈现出谷物类美食的百般形态和滋味。
没错,那部没人能拒绝
谷物,是人类饮食的基础。
它是迄今运用最广泛、影响人口最多的一种食物,而我们生活的地球就是一个谷物遍布的星球。
最近,一部国产新片以此为题,为我们呈现出谷物类美食的百般形态和滋味。
没错,那部没人能拒绝的国产爽片又杀回来了——
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被我妈抢了电视 晚晚陪她看麦香
玩着手机跳着看 剧情也能连得上
前几集瞅着男女主被狗血棒打鸳鸯
到了后几集莫名其妙就女的嫁军人男的娶了寡妇
十几集的时候莫名男女主又在一起了?
合着我妈说军人寡妇都狗带了
这种巧合!!这种概率?!
然后有看着男女主被狗血棒打鸳鸯一次
好像是女的家里一定要男的入赘,
被我妈抢了电视 晚晚陪她看麦香
玩着手机跳着看 剧情也能连得上
前几集瞅着男女主被狗血棒打鸳鸯
到了后几集莫名其妙就女的嫁军人男的娶了寡妇
十几集的时候莫名男女主又在一起了?
合着我妈说军人寡妇都狗带了
这种巧合!!这种概率?!
然后有看着男女主被狗血棒打鸳鸯一次
好像是女的家里一定要男的入赘,男的继儿子不肯…… 这到底什么鬼啦
然后女主的女儿为了几块勋章嫁给了一个坏心的丑胖子
这么单纯的我肯定看不懂这剧情
合着我妈说 她也不想啊!不然她就得嫁给另外一个坏心的帅瘦子(男主的继儿子)
同样是坏人 丑胖子和帅瘦子这种区别还需要我说吗???!
合着又被我妈爆头:女儿啊,男人长相是靠不住的,虽然他(帅瘦子)对她是一往情深,但是坏心肠的我们怎么都不能要啊!
是的,妈妈!
可是后面女主女儿都被丑胖子家暴了呀喂?!
到底这个剧情是什么鬼?!
合着还是我妈说的对,女人不能太物质
为了几块勋章,不管家里人反对,一定要嫁给一个坏心肠的男人
婚后还不让同房?!
也不知道丑胖子图啥 有这钱***不好吗?!
诶 气死了
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太烂了!觉得张强太恶心了!一集已经让这个人设全部崩塌!开始觉得这部剧塑造的人物没有一个完全意义上的好人这一点还挺有吸引力!张强一直是见钱眼开的人,那你就把这个人设刚到底呗!结果在李元亨教唆强奸的案子里,开始的一波苦情戏操作,带舆论风向也还可以,结果你为了10%股份,把自己的当事人丢一边,中途退出案件,还要一分不少的拿律师费,妈呀,你这不是君子爱钱,你是为了钱违背职业道德!之后的剧情更是恶心,
太烂了!觉得张强太恶心了!一集已经让这个人设全部崩塌!开始觉得这部剧塑造的人物没有一个完全意义上的好人这一点还挺有吸引力!张强一直是见钱眼开的人,那你就把这个人设刚到底呗!结果在李元亨教唆强奸的案子里,开始的一波苦情戏操作,带舆论风向也还可以,结果你为了10%股份,把自己的当事人丢一边,中途退出案件,还要一分不少的拿律师费,妈呀,你这不是君子爱钱,你是为了钱违背职业道德!之后的剧情更是恶心,开始充当正义使者,站在对立面,把自己前委托人的事情往外抖,这样的人已经没有任何底线!
廖启智的kc可圈可点,虽然稍显用力过猛,但这种一坏坏到底的人,比起那些虚伪的烂人好多了。
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剧情实在狗血,演绎实在感人。
人设上最喜欢灿英和珠喜,其次才是美兆。
美兆总是什么都不说又表现得委屈得不行,男主是心疼,但我看着实在觉得着急又恨铁不成钢。为什么女主一定要是美弱惨呢?遇到什么事都花容失色,别人问起就强撑说没事,非得等别人再找过来看到最脆弱的一面然
剧情实在狗血,演绎实在感人。
人设上最喜欢灿英和珠喜,其次才是美兆。
美兆总是什么都不说又表现得委屈得不行,男主是心疼,但我看着实在觉得着急又恨铁不成钢。为什么女主一定要是美弱惨呢?遇到什么事都花容失色,别人问起就强撑说没事,非得等别人再找过来看到最脆弱的一面然后心疼,有必要一直是这个套路吗?
而且女主为朋友下跪晕倒时有男主一旁心疼,灿英癌痛到晕倒却只有一个人,我看着很不爽。期待的是群像,剧里却无时无刻不在提醒观众女主是美兆,她拥有最美好的品质、她永远是三个人的中央、她除了身世什么都好,就像梦华录一样带给我一些不适感。
事实上感情线上也是珠喜和灿英的最吸引我,如果能多展开一些贤俊和珠喜的恋爱故事就好了。韩国真的是小啊,怎么随随便便出个门男女主都能相遇。
不过,三人的友情非常感人,虽然慢慢看下来有点心疼珠喜,但是这段友情赚足了我的眼泪。希望我也可以有持续一生的友谊。
ps:孙艺珍是真的好漂亮,美都好白好可爱,金智贤也温婉可人。
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周是从萌萌的校园傻白甜转身了职场白骨精,这个升级我爱了,尤其当她穿上一套粉色职业装,又干练又好看。觉得这样的她更适合卫卿,两个人的职业内容有重合,性格上一个腹黑一个聪明勇敢,是恋人也是工作中的对手或搭档。有人说周是如果没有转身职场,继续画画在家做个总裁夫人多好?为啥近在咫尺的不选,非要作一下分手再恋爱。但我个人更pick现在的设定,从校园甜宠到都市爱情的升级,也是难得,她们曾经是校园里单纯的
周是从萌萌的校园傻白甜转身了职场白骨精,这个升级我爱了,尤其当她穿上一套粉色职业装,又干练又好看。觉得这样的她更适合卫卿,两个人的职业内容有重合,性格上一个腹黑一个聪明勇敢,是恋人也是工作中的对手或搭档。有人说周是如果没有转身职场,继续画画在家做个总裁夫人多好?为啥近在咫尺的不选,非要作一下分手再恋爱。但我个人更pick现在的设定,从校园甜宠到都市爱情的升级,也是难得,她们曾经是校园里单纯的女生,随着时间的推移,校园的一切来到都市职场的,都在升级余蜕变。很喜欢在某本书上看见的这样一句话:好的爱情应该是势均力敌的,就像致橡树所言,我爱你,但不做攀缘的凌霄花,借你的高枝炫耀自己。要做就做你身边的一颗树,根相握在地下,叶,相触在云里。转型后的周是,和卫卿更和谐了。喜欢看他们斗嘴斗心眼,比起什么相敬如宾的关系,相爱相杀相知相惜才更棒。
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给第六集打的分,先看到了大致事情,怕自己骂错了还特地去看的这一集,看完只感觉自己强迫灌了一口屎。
大致剧情是男生蹲了十一年监狱(虽然导演否认是杀人,但从纪录片里犯人本人的描述及刑期来看,至少是毁了一个人的一生)然后在隐瞒女友的情况下使其怀孕,孩子刚生下来就去自首坐牢了,十一年相当于对孩子没管过,一出狱就要和女友重归于好。结局是男女主幸福的生活在一起了……
被判十一年的
给第六集打的分,先看到了大致事情,怕自己骂错了还特地去看的这一集,看完只感觉自己强迫灌了一口屎。
大致剧情是男生蹲了十一年监狱(虽然导演否认是杀人,但从纪录片里犯人本人的描述及刑期来看,至少是毁了一个人的一生)然后在隐瞒女友的情况下使其怀孕,孩子刚生下来就去自首坐牢了,十一年相当于对孩子没管过,一出狱就要和女友重归于好。结局是男女主幸福的生活在一起了……
被判十一年的人在纪录片中我全程没看到他有独立改善自己生活的行为,他所做的一切的目的都是:抓住这个女人,抓住这个独自在上海打拼有房有车的女人。虽然他一无所有,虽然他将来可能有的一切也都是这个女人给他带来的,但他可是愿意把自己的所有都交付出来呢。可是一个吸血虫的一切都是宿主的啊,你有什么配贡献出来的。同时有房有车这一点并不是我想要强调,而是十一年在不断的说这件事,跟自己的母亲强调,她有钱了,咱们卑微一点先把人搞到手吧;跟女生本人强调,你现在有房有车,是我配不上你,但你要离开我,那可不行,你可真不重情义。
关于改过自新,重新生活:
十一年说着要找工作,大半夜给女生发消息:我想你想得睡不着,如果这是两个初中生谈恋爱的对话我还能说句好甜,可你是一个三十多岁、犯过罪、有一个孩子的人了啊,这一段是想表现什么呢?矢志不渝、历久弥坚的爱情?
不知道去了几个地方找工作,给女生发消息:咱俩的事情没解决我都没心思找工作。可真是甩锅的好话术啊,找不到工作不是因为他坐过牢、不是因为他不想吃苦、不是因为他与社会有十多年的时差,只是因为他心里牵挂着你,只是因为你还没给他一个肯定的答案。
在路边有一个也坐过牢的人说雇佣他,但也打了预防针说工作会很辛苦,十一年嘴上说着不怕苦不怕苦,下一个镜头就去人女生老家弟弟那工作了,有够死皮赖脸的哈。完了还要跟人弟弟一起吃饭卖个惨:这么多年错过太多了巴拉巴拉,然后又是哭,还暗戳戳把两人的未来设定成一定会在一起,脸真够大的啊。
关于老婆与孩子:
刚出狱,一大帮人一起吃饭,六年级的女儿说家里爆发了“叙利亚战争”,十一年:我知道我知道你知道嘛家里人嘛巴拉巴拉,配合着制止女儿说话的手势,实在是爹味藏不住了,溢出来了已经。
女儿晚上和爸爸住教他用手机,和妈妈告别的时候十一年让孩子和妈妈再见,在孩子已经说了拜拜的情况下十一年:你就这样跟妈妈说话?看到这差点给我气笑了,怎样呢,孩子的行为我看来没有不礼貌,与母亲有舒适的日常相处模式,而一个从没有教育过孩子的人突然说“就这样跟你妈说话”,不好意思你谁啊,你想怎么说,在镜头前跟妈妈亲亲说舍不得你妈妈我好爱你,展现一个其乐融融充满了爱意的家庭吗?
纪录片全程都没有出现女生的父母,从一些细节中我推断女生父母还健在,那么他们被隐藏的原因也不用多说。无论女生的父母是什么态度,十一年真的想与女生过好生活,都应该去拜访女生的家人,就算是受到再多冷嘲热讽、看轻与讥笑都应该去表明自己的态度,展现自己的改过自新,可是直到最后十一年他只是在自己家又掉了几滴眼泪(又哭了??),感谢女生也是半天憋不出一个屁来,这下连好话都不会说了。
我实在感到疑惑的是导演究竟想传递给我怎样的价值观呢?这个故事展现了导演文字里的人人都有改过自新的机会,不要回头看朝前看吗?我横看竖看实在是体会不到,道理都没错,可是片中的十一年是在让我看不到他作为一个人身上的闪光点。对女友的爱?那更像是绑架女友,给自己找一个依靠的借口。对孩子的爱?依旧是绑架女友的托词。对父母的爱?除了嘴上说几句感谢的话掉几滴眼泪也没实际行动。真诚、善良、乐观、热爱生活…通通没有,我要如何与他共情?我为何要与他共情?
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看了最近更新的这几集,最大的感受是其实金通和陆芭是一样的人。
这几集的剧情主要就是讲的男主恢复记忆了,然后对女主“怀恨在心”对女主展开了一系列的报复行为。但是就我看的这几集剧情而言,男主虽然经常刁难女主,比如安排很多杂活给陆芭,把她丢在路上,说她爱钱和别人纠缠不清之类的。但是在一些决定性的大事上,金通却像变了一个人一样,他变
看了最近更新的这几集,最大的感受是其实金通和陆芭是一样的人。
这几集的剧情主要就是讲的男主恢复记忆了,然后对女主“怀恨在心”对女主展开了一系列的报复行为。但是就我看的这几集剧情而言,男主虽然经常刁难女主,比如安排很多杂活给陆芭,把她丢在路上,说她爱钱和别人纠缠不清之类的。但是在一些决定性的大事上,金通却像变了一个人一样,他变得更加有人情味,不再那么冷酷。就说在回收奇洼村土地这一问题上而言,金通考虑的不再只是商业利益,而开始在乎村子里的人们如何生活,并制定了双方互利的方案。这与刚开始金通自己讲的那些村民贪婪自私的想法已然大不相同。包括在女主淋雨生病后的悉心照料都有体现。
为什么说两个人是相同的呢,因为不管是男主失忆前女主对待男主的方式还是恢复记忆后男主对待女主的方式本质上都是善良的。女主在朝夕相处的点滴事情中改变了对男主的刻板看法,男主即使在怨恨女主的情况下还是小心翼翼的关心。
双方都在有误会的情况下还是愿意选择去给对方一个机会,也给自己一个机会。这两个人的感情从来都不是单向付出的,不管是在什么情况下。金通和陆芭是双向奔赴的恋爱啊!
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主旋律是影片必不可少的风骨,“玉麦精神”渗透在每一帧画面里。但颇为难得的是,《我的喜马拉雅》并没有呈现一套刻板、脸谱化的爱国程式,仁青、格桑、卓玛父女三人首先是鲜活的角色,是带有足够爱憎情仇的生命个体。妻子没能挺过重病,倒在了苍茫风雪之中。影片最大的戏剧冲突点就在那一刻埋下,一直在酝酿着爆发。在人烟罕至、环境艰苦、信息闭塞的高原上守边,无疑是种执拗到近乎疯狂的行为,片中的仁青也经历过动摇,尤
主旋律是影片必不可少的风骨,“玉麦精神”渗透在每一帧画面里。但颇为难得的是,《我的喜马拉雅》并没有呈现一套刻板、脸谱化的爱国程式,仁青、格桑、卓玛父女三人首先是鲜活的角色,是带有足够爱憎情仇的生命个体。妻子没能挺过重病,倒在了苍茫风雪之中。影片最大的戏剧冲突点就在那一刻埋下,一直在酝酿着爆发。在人烟罕至、环境艰苦、信息闭塞的高原上守边,无疑是种执拗到近乎疯狂的行为,片中的仁青也经历过动摇,尤其是当两个女儿逐渐长大,拥有了各自的独立想法,开始质疑“为什么要死守而非离开”的时候。
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女主好像跟这个男人来自地球那个大学女生同一人,身材不错,胸小了点,标准九头鸟模特身材,细高跟走起那个勾人心魄喲,至于剧情,除了2场打扑克有点看头,其他的感觉后期都没做好特效就赶紧放出来,预算吃紧,题材跟机械姬差不多,不过这部模特金发大洋马超级养眼。剧情没有太大跳脱,反转也容易猜的到,没有当年这个男人来自地球那么多包袱抖,也没机械姬剧情那么冲击时代思维的对立性,只能
女主好像跟这个男人来自地球那个大学女生同一人,身材不错,胸小了点,标准九头鸟模特身材,细高跟走起那个勾人心魄喲,至于剧情,除了2场打扑克有点看头,其他的感觉后期都没做好特效就赶紧放出来,预算吃紧,题材跟机械姬差不多,不过这部模特金发大洋马超级养眼。剧情没有太大跳脱,反转也容易猜的到,没有当年这个男人来自地球那么多包袱抖,也没机械姬剧情那么冲击时代思维的对立性,只能说B级片里面拔尖子,女主最起码占6分成绩,
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在国漫里是很棒的了。
画面精美,故事元素很有想象力有吸引力。
人物形象塑造上面还欠火候,寥寥几个画面就能刻画人物性格,但人物性格一成不变,要是随着情节推动人物也会成长就更棒了。
故事情节不错,刚开始战争那部分最棒,战争场面排兵布阵、调兵遣将以及诡奇策略很有意思。情节发展比较严谨但还是不足够严谨:第一集道士感觉都要被打死了,结果戴了面具后似乎没有受伤一般
在国漫里是很棒的了。
画面精美,故事元素很有想象力有吸引力。
人物形象塑造上面还欠火候,寥寥几个画面就能刻画人物性格,但人物性格一成不变,要是随着情节推动人物也会成长就更棒了。
故事情节不错,刚开始战争那部分最棒,战争场面排兵布阵、调兵遣将以及诡奇策略很有意思。情节发展比较严谨但还是不足够严谨:第一集道士感觉都要被打死了,结果戴了面具后似乎没有受伤一般,这部分也没有解释,不严谨。
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