#1 Diegetic Sound Effect

In a movie, diegetic sound can be a very effective way to grab the attention of characters, and also the attention of the audience. At the beginning of The Colour of Money, the conversation between Eddie and his girlfriend is interrupted five times. This is to generally move his attention to the other main character, Vincent Laura. It also makes the audience begin to notice and focus on a new character. The process of the whole transition is done smoothly. When Eddie is chatting with his girlfriend, the first interruption comes in a sudden. Julian touches Eddie's shoulder to lead his attention from his girlfriend to the pool game, which indicates the audience about the other character, Vincent. As Eddie is looking at Vincent, a sharp car horn comes suddenly. This is a non-diegetic sound because it is only shown to the audience. The car horn indicates Eddie's mind and symbolizes the transition of his attention. Also, it is a subtle way to move the camera back to Eddie's scene. Additionally, the second interruption happens when Julian is trying to get the money on the table, while Eddie is astonished and quickly grabs Julian’s hand in a loud and sudden sound. The purpose of this diegetic sound is to tell that Julian is beaten by that young guy, which is a big suprise. The third interruption is Carmen's voice, calling Vincent by name, along with a ball colliding sound. It makes Eddie turns his head to the table curiously. At that time Vincent's face is first shown. When Eddie turns to his girlfriend later, the fourth interruption comes again. Vincent wins the pool games. He shouts like a kid and kisses Carmen. His shouting and the kissing sound are obviously diegetic sound because Eddie turns to them and observes them for a much longer time. This time, he shows the real interest to Vincent, the talented young man who might remind him of his early age. That's why after the fifth interruption, when Eddie hears Carmen's voice again, he cannot sit still anymore. He stands up, and walks to Vincent. Five steps, the director successfully raises Eddie's interest to Vincent, and transfers the audience's attention to the new character from Eddie.

#2 Non-diegetic Sound Effect

 A diegetic music may switch to non-diegetic music to indicate the change of character's moods and feelings. For example, a nice, smoothing bar music is on as Eddie enters the pool game room. This is the first time he decides to play pool game again after so many years. Therefore, the bar music, which is the diegetic music, is very soft and relaxing. The music shows Eddie's happy feeling and his great expectation for pool games. He hopes to give an excellent performance as goog as twenty years ago. With this kind of confidence, Eddie plays his game with a young hustler. He keeps winning at first, just like what he expects. It seems that Eddie is still a skllful and professional player. However, along with the hustler's ball dropping into the pocket, the bar music changes dramatically to non-diegetic music. This is a very loud, sharp interrupting sound played by the guitar, which acts as the turning point of the pool game. Eddie begins to lose, and realizes that he is hustled. After the first shot of the guitar, the music turns down, and becomes diegetic again. This time, the bar music is no longer in a happy tone. Instead, it is a sad music about a man laughing at his ridiculous life, which is like Eddie's state for now. He feels himself like a fool. After the game, he picks the white ball, and drops it down into the pocket. The ball keeps going down, down, down into the system under the table, along with Eddie's heart. At that moment, he feels down and upset like the falling white ball. In a pool game, a person will lose if he hits the white ball into the pocket. The white ball symbolizes losing. After all these years, Eddie still feels like he is a loser. The sound of the ball is so clear, but it should not be heard by characters. In this situation, the sound is neither diegetic nor non-diegetic. Still, the characters can hear a little bit of the ball crashing into the system, but most of the time the sound is imagined by Eddie. It is the sound of his heart filled with disappointment. According to the third scene of the movie, the music keeps changing between diegetic and non-diegetic. Sometimes it does not even belong to diegetic or non-diegetic music. All these changes are for one purpose only. To make the audience feel what a character feels.

连续一个多月的病毒防疫工作，近几天，总算迎来一些好消息。不但武汉市的新增病例开始明显下降，更关键的是，全国有二十多个省份，出现“0增长”的大好迹象。 就在我们以为新冠病毒，将会在短期内走向湮灭，亚洲另外两个国家开始发作，一个是日本，一个是韩国。 国内很多网友对...  (展开)

奇幻文学改编影视从来都是一件不讨巧的事，不被骂反而不正常。美剧《时光之轮》播出第1-4集后，评论大体呈现出三家分立的局面： 一部分是严格的原著粉 严格的原著粉对书中细节熟稔于心，难免对剧版的改编口诛笔伐： 沐瑞居然能说出“不知转生真龙是男是女”这种语惊四座的鬼话...  (展开)

那时我们都上大学，在学校的俱乐部里看的。当然什么零食也没有，就两个女孩一起看电影，看完都天都黑了，我回家的路上还有点害怕，她直接回学校了。
现在我们已经多年没有联系了，只是我会偶尔想起她，不知道她现在好不好，如果你看到，也许会想起我，记得和我联系吧。
毕竟，一起走过的青春，无法复制，无法忘记……

横扫整个影讯，还真是囧途这两个字吸引了我，感谢王宝强为囧途创造了辉煌，但是老郭，你不能这么糟净吧。体无完肤。真的，只能用这几个字来形容。情节凑的这个邪乎啊，丫的，还整了个拼车育人的路子，那你也一条路走到低啊。我请个假出来看会儿电影容易吗。进门之前我快速网上浏览了影评，但没来豆瓣，听说每隔几分钟就有笑声。说真的，除了两个屁声，吃苹果的脆声，橙子的唆啰水声，我真没听见笑声。后面的大姐竟然在影院里接起电话了，谈起了生意，我说大姐，袜子进价一块五够便宜了，你还讲价。恩，值得一提的是两个打算整容成冰冰的胖妞，还有郭德纲的那个二百五的弟弟，恭喜你们，因为有了你们的存在，我有了可以喘息一下的机会，不会一直郁闷。最后结尾的撞车爆炸，特效得不少钱吧，倒不如多请几个类似胖妞的配角增加笑料。最后对这个影片的评价，真不要脸，你骗了我的钱。

在朋友圈看到本片的消息 看了剧照给跪了 看了剧照给跪了 看了剧照给跪了 看了剧照给跪了 看了剧照给跪了 看了剧照给跪了 看了剧照给跪了 看了剧照给跪了 看了剧照给跪了 看了剧照给跪了 看了剧照给跪了 看了剧照给跪了 看了剧照给跪了 看了剧照给跪了 看了剧照给跪了 看了剧照...  (展开)

"我理解了喜欢上人类之后的孤独感，也理解了那个名为「男人」的绝望。” "再拿烟....烫我。 (所谓人生，不过是愧疚的延续罢了。) "谢谢你啊，笨蛋。" "我很珍视你... .. 作为挚友。" “人类，是由矛盾所构成的。寂寞，不寂寞恋慕，不恋慕。 ”为什么不是我呢?为什么我就不行呢?...  (展开)

克里斯蒂安贝尔最神奇的地方在于他的体重完全可控，机械师、蝙蝠侠、重见天日、蝙蝠侠、斗士、蝙蝠侠，似乎增肥减脂对他来说完全不是问题，这种献身精神相比以后会让他吃大苦头。这部电影讲述了越战时一名被击落的美军飞行员逃跑的故事，不像深入敌后那么好莱坞，但是从电影中还是能感觉到不少美式气息。最后的结尾开起来有些假，但仔细反思后，美军好像就是欢迎他们每一个回来的英雄的，对比之下，我们做的还是太少

这几天cctv比较怀旧，午夜场里竟然把几十年前箱底的旧片翻出来了，先是前天晚上刘威和于兰主演的《关东女侠》，这个是至今在豆瓣上还搜索不到的大冷门。再有就是昨天放的《神鞭》，一下子把我的记忆拽回了很久很久以前。关于《神鞭》的记忆确实比较久远，是小时候在村里的露天电影看的，当时的年龄甚至都没有怎么记清楚故事的来龙去脉，印象比较深刻的是义和团冲击洋枪队的时候身边那群为冲锋奏乐的红斗篷乐队，这一点在昨晚重现时证明我的记忆竟然没有出半点差错。对我来说，这是一部值得怀念的片子，不仅仅是里面珍藏着自己的童年。我关心的是义和团，这个是非百年来一直争论不休的主角。不要神话也不要一棍子打死，任何事情的发生都离不开当时的时代背景，义和团的是非曲直自然不是仅仅好坏二字所能涵盖的。义和团愚昧、迷信、盲目、极端……但是是什么力量让他们能够凭着血肉之躯在洋枪洋炮面前集体赴死，我觉得这不是少数野心家鼓动利用的手段所能做到的，一切都离不开当时的时代背景。

      当我打下这个标题的时候，我又重新看了下这部片子以及有关葡萄的介绍，怀着对百年香港电影深深的眷恋，我再次叹了口气，才华太多也会明珠蒙尘。
     葡萄，原名刘镇伟，笔名技安，又曾化名黎大炜、陈善之、刘宇鸣，是香港的著名电影人。先后拍摄过《猛鬼差馆》、《赌圣》（1990）、《东成西就》、《大话西游》上下集、《回魂夜》、《情癫大圣》等等一系列经典影片。我想大陆的我们大多知道葡萄这个人是从《大话西游》红火开始的，从那个时候起，刘镇伟就被亲切地称呼为“葡萄”。
    其实谈起葡萄，我们可能更多的谈论他的倒霉史，还有他为朋友两肋插刀的英雄气概。这个人，才华自然不必多加探讨，他在编导、导演、监制及演员多方面颇有建树，可惜观念超前、时运不济，竟然大部大作都被冷了多时才红火起来。特别是预料会成功的《大话西游》一度遭市场排斥竟将这个非常有棱角有才华的导演给打磨的只是在自己的世界里像无头苍蝇乱转，以致于他后来的《情癫大圣》、《机器侠》、《越光宝盒》等作品一直在不断模仿，企图用模仿寻找突破，可惜终究经典难越，葡萄才尽。葡萄在自己的篱笆桩里拼命的奔跑，何时能够拨开云雾见青天？
    《无限复活》这部老片子上映于2002年1月，这是一部时空穿梭的电影，是一部心灵对话的影片。没有两次以上的观看你是无法品鉴出其中的韵味的。我可以大胆地断言，这是一部大多数人没有看懂的经典。许多人恐怕跟不少情节，也无法弄清楚故事推进原由，它需要你的推理与想象，它的才华如同蒙上灰尘的金子。
        这部影片没有太浅薄的感动，没有太明显的催情，影片从郑伊健扮演的保官李伯仁前往拉斯维加斯赌博开始诉述了一个时空穿梭的故事，情节构思巧妙，观众从推理中渐渐抽丝剥茧，恍然大悟的时候又非常不解，留下了许多空白遐思，如十二月二十八日的张柏芝和二十五日的郑伊健通过时光隧道会穿越到什么地方？那个酒吧侍者为什么得到小费后就离职？去哪了？
        这部片子充满了人文反刍。28日的郑伊健，在失去朋友，在得到爱情之后，他改变了，他看到25日的自己，原来是那么偏执，自私，邪恶，他知道了什么是真正珍贵的。在25日的郑伊健用铁棍砸向朋友关继威时，他冲上去挡住了铁棍，他对25日的郑伊健说：我知道你一定想知道我是谁，就当我是你的良心好了。每个人都会做错事，但不是每个人都有机会改正。我希望你知道，什么是重要的，不要带着内疚去活一辈子。
        影片到此感动，从人文的思考，我们能看出来，葡萄在文艺和商业上极力寻找平衡，同时又尝试创新和突破，不管结果如何，葡萄在努力，影片也达到了预期效果。美中不足的可能是商业性不多，情节的复杂性抬高了影片欣赏档次。
        如果你喜欢葡萄，如果你喜欢推理，如果你喜欢......不妨多看几遍本片，那时候你才猛然发现，原来这是一部深藏的经典。

或许每个人，都有自己无法承受的事情。都需要有人带我们走出阴霾。但其实。能救赎自己的，永远是自己。
当然，我们需要一个助力，或是亲情，友情，也或者是爱情。但最根本的是，我们想要强大起来。
电影淡淡的剧情，俗套的桥段。就这样缓缓向我们传递热量，煲好了鸡汤。足够强大的人拒绝喝这样的鸡汤；而极需安慰的人儿，却痛快干了这碗鸡汤并充满元气。
我也需要一个助力，让我渡过自己。